Tiles  Collection / The brigde of modernity and tradition

Year:2020
Client：SAVIA
Designer：Sing Chan
Stylist：Sing Chan
Photograpy：Sing Chan & CC

新与旧的桥梁

中国过快的经济发展，巨大的迭代落差使我们错失了与传统好好对话的机会，新浪潮冲击下，本土文化变得模糊，对自身文化的失焦普遍存在年轻人身上，是新一代人的共同困惑，是文化自信建立的障碍。 面对时代的冲突，传统文化的去留决定在于是否具备新价值。

The brigde of modernity and tradition

The rocketing economy and huge gap iterations have deprived us of the opportunity to have a better dialogue with traditional cultures, and under the bombardment of various cultures, local cultures have been blurred. The defocused perception of local cultures widely exists among young people. It is a common confusion shared by the new generation and an obstacle to building cultural confidence. In front of the conflicts of the times, the survival of a traditional culture depends on whether it possesses new value.

首次与灯具品牌合作的尝试。‘瓦’这种古老的建筑材料不仅起源于中国，现在它已遍布世界，深藏在不少人的情感记忆之中。我想把这些记忆用当代的语言，重新融入到现代的生活方式里，为此，以‘瓦’多样的形式堆叠组合，设计了一系列灯具与品牌空间。

The first attempt to cooperate with lighting brands.”Tile” is an ancient architectural material that originates in China. It is now widely used across the globe and has become part of the emotional memories of many. We try to express these memories with a contemporary lexicon and bring it to the modern lifestyle, giving life to a new collection of lighting products and space inspired by the layering form of tiles.

“秋天的夕阳落在屋顶，大片的金色覆盖在红瓦上，虽然已有凉意，但我依旧在院中央等待着，天色渐暗，金色变成转瞬即逝的朱红，消失在深蓝中。”

这是我对于家的美好记忆之一。

“As the autumn sun fell at dusk, red tiles glimmered, and the golden beam sat right on the rooftop. Although the autumn breeze was calling me into the house, I kept standing in the courtyard to wait for that moment. The sky darkened, it became a blazing vermillion, and vanished. “

“That is one of my fond memories of home.”

小时候对周边一切感到好奇，曾经常把玩瓦片，对瓦有着特殊的情感，成长中让你难忘的事情最终会化为创造的食粮使我，启发我多角度审视它。以瓦的侧面弧度为基础，重复、堆叠、旋转、衍生，类型系统化。

I was curious about everything around me in childhood. I had a special affection for tiles, because I often fiddled with them. As unforgettable things in my growth, tiles are bound to turn into inspiration, making me reflect on them from multiple perspectives.Duplication, stacking, spinning, derivation and type systematization based on the radian of the side of the tile.

开发过程中测试其光感度与美观度

Test its light sensitivity and aesthetics during the development process.

Year:2020
Client：SAVIA
Area: 54㎡
address: Hong Kong International Lighting Fair
Designer：Sing Chan
Photograpy：Sing Chan & SAVIA

瓦，一种古老且遍布世界的建筑材料，源于公元前1000多年的中国，是古代房子必备建筑材料，是古代中国“家”的基础。在日新月异的技术发展下，传统“瓦片”的制作方式、维护成本高都使这种建筑材料与时代格格不入，仅存在于某些特定项目中，以转变为符合当下浪潮的事物或许能让传统再生。

Tile, an ancient and universal building materials, originated from China over 1000 BC, is an essential building materials for ancient houses, is the basis of the ancient Chinese “home”.With the rapid development of technology, the traditional way of making “tiles” and the high maintenance cost make this building material out of step with The Times. It only exists in certain projects, so that it can be transformed into something in line with the current wave, which may regenerate the tradition.

以瓦为家，从瓦的侧面排列形态得到展示空间的流动启示，高递错落的弧形形成吸引独特得建筑形态，尝试着传统的新姿态，利用空间与产品的高度契合呈现品牌的脉络。

From the side arrangement of the tiles, we can get the flow inspiration of the exhibition space. The highly recursively and staggered arcs form small buildings that attract people’s attention. We try a new attitude of traditional iteration, and use the height of space and products to match to present the vein of the brand.

旋转开放的布局，吸引着四方的目光，而中心与内侧是新品的呈现。

The layout of the rotary development attracts the eyes of the four sides, while the center and the inside are new products.

回流的布局让54㎡充分呈现了众多产品，更是突出了品牌特征。

The layout of backflow allows 54㎡ to fully present numerous products, but also highlights the brand characteristics.